About


We love helping our clients bring their story to life.

Plan-B Studio is a London-based design agency, founded in 2000 by Steve Price. I've been a designer for thirteen years and I still consider it a tremendous privilege.

I set up Plan-B Studio twelve years ago to provide flexibility in how I work, where I work and with whom I work with. It's not always easy, but is has provided some great collaborations with clients, peers, friends and students. They say that people invest in people, to me that simply means being human. Respect, courtesy, manners and enjoying the process. It's about spending as much time as necessary getting to know you and your business. Learning about how you and it all works. Taking time to look at the issues, consider the solutions, come up with the ideas and then develop the right solution. From identity to campaigns to creating a digital presence, brand development or product design; forming communications to connect the client to their customer. I do all this using two main ingredients; love and support. Love & Support are the two most important ingredients you can put in to everything you do. It's the two things I promise my son can always get from me and it is the two things I always put in to my work. As I tell my son Enzo, being creative is not about being able to draw, it is about seeing the world and finding solutions - that is creativity. Business is about nurturing a relationship to build confidence so when we create a brief with you, it comes from the heart, we make it reach the heart. It is that simple.

Contact

info@plan-bstudio.com

For new business contact Steve on: +44 7971 207 276

info

www.urbandevelopment.co.uk

Urban Development commission Plan-B Studio to design a new identity and brand development across all their communications platforms for both Urban Development and their other subsidiaries such as UD Music Foundation.

The logo is one of my proudest pieces. A blocky, cut-out ‘URBAN’ comprising of a Scalene triangle instead of an A. Why? Because like so many of their artists and un-nurtured talent they do not necessarily conform, fit-in or follow a ‘norm’ - with no equal sides or angles neither does a Scalene Triangle.

On the new web site the logo is ever evolving. The Scalene Triangle is constantly animating, at random, to create a ceaselessly changing three-sided shape with no one side or angle the same. Like their audience, their logo is forever changing.


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How do you present a three week discovery phase for a new web site project to a record label/artist management client in the US whose passion in life is music and making great art?

You write. You sketch. You think. You write some more. You source a company (on ebay, in the US) who sell blank white 7″ sleeves.

You layout each sections content as an insert like the lyrics of the track. You give each section titles like album tracks, and timecodes based on how long it takes you to read it. You add little sleeve notes ‘Lyrics by…’ (just for fun).

You get four A2 posters of your inspiration and vision printed and folded. You personally make each of the ten sleeves like your own demo vinyl using Letraset.

You package it all up in a plastic cover and Fed-Ex it to them and hope they love it half as much as you did making it.

That ladies and Gentlemen is #LoveandSupport.

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I was invited back to the Academy of Art and Design in Bergen where I'm an accredited Associate Professor.

I spent six fantastic weeks with twenty-two brilliant, motivated, engaging Visual Communication students. Their task was to create a new identity for a 'destination'.

Along side the project, we had guest speakers and workshops to help provide further insight and diverse opinions.

These are four of the six groups work. I would include them all but I'm still waiting for two groups to send me their work!

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Myself and co-creator (the brains) Camilla Grey decided that V-day was the perfect day to launch our new publication, because who doesn’t love a Cant Understand New Technology on their doormat on Valentines Day morning?

There is no Twitter feed, no Tumblr, no Facebook group. You can follow the conversations by using the hashtag #cantunderstandnewtechnology across Twitter, Instagram and even Vine.

What is Can’t Understand New Technology?

It’s the first new publication by and for the London creative industry since we all joined Twitter.



Why will Can’t Understand New Technology be launched as a hard copy?

Because we can understand new technology and it’s ironic.



Who is behind Can’t Understand New Technology?

A brand strategist (Camilla Grey) and myself, Steve Price.



Who are the contributors?

Senior creative and strategic leads from across London’s best- known creative agencies.



What’s in it?

A potent mix of opinion, gossip, agony advice, serious discussion and ranting. Plus illustrations.

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loropiana.com
unit9 the award winning creative production company hired Steve Price as Interactive and Project Director on this Flash built. interactive, e-commerce web site which included a web-based mobile app site and a fullt integrated, e-commerce app.

Loro Piana is an Italian luxry lifestyle brand based in Milan, with stores all over the world and a range of high quality clothing products and interiors. This project included a huge team of supremely talented people across three continents for eighteen months with an executive producer, creative director (Steve Price), animation director, three project managers, design director, Flash developers in London and Italy, iOS5 app developers, illustrators in Italy, photographers, animators in Brazil as well as motion and 3D designers.


My role was to work with the senior management team at unit9 to source, commission, direct, manage and co-ordinate the entire team, budget and overall project.
Deliverables:
Web site/Mobile site
Appl/Android app
E-commerce store

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I was invited to give a talk at this years Silicon Beach 2012 in Bournemouth. Turns out I was the closing speaker following some immense talent. I've included my talk here plus my notes so that it maybe makes some sense.

No pressure then given my laptop recognise the projector, the presentation I did show (off another laptop) didn't have the right font and I was starting with sixty seconds of silence. No pressure at all.

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The brief was simple - develop a new identity and brand for a new business called Entity Partnerships; a regeneration development company and strong beliefs in sustainable regeneration through partnerships in the industry.

The result was an identity that has no need to shout, instead it was designed to be more friendly, personable and reflect the values of the business - it's network and connectivity.

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The Olympics is happening in London, you might have heard about it? Ravensbourne's new building is situated right next to the O2 (formerly 'The Dome') and at the heart of Olympic activity.

To promote the opportunity to rent their building Ravensbourne commissioned Plan-B Studio to design a special promotional pack highlighting the key features of the building. This came in the form of eight postcards printed on recycled board (designed to let interested parties send them back) in a self-folding envelope to save on postage and unnecessary packaging.

Deliverables:
Marketing literature
Promotional pack

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secerna.co.uk
The patent and trademark sector is probably one of the oldest and most traditional in law. What better challenge to undertake than be approached by a new, fresh-faced partnership looking to break the mould?

Plan-B Studio designed and developed the logo, stationery, corporate literature, as well as a rather brilliant (even though we say this ourselves) CMS built web site.

Deliverables:
Logo
Stationery
Corporate literature
CMS powered website
Mobile visible site

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The Outside Organisation is a PR, communications agency who work with music, talent, corporate, television, sports and lifestyle brands, making sure they are heard and seen in all the right places.

Plan-B Studio designed and developed a radical overhaul of their logo, corporate literature, marketing materials as well as a new, simplified, CMS built web site.

Deliverables:
Logo
Stationery
Corporate literature
Marketing comms
CMS powered website

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congregationpartners.com
Congregation partners is a company providing consultancy to the digital industry all over the world.

Plan-B Studio was approached to help develop their logo and web site along with templates for all of their internal and marketing communications.

Deliverables:
Logo
Brand identity kit
Marketing and internal comms literature
CMS powered website

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www.theshopatbluebird.com

The Shop at Bluebird is every fashionistas mecca. Based on Londons Kings Road it's location is only overshadowed by the plethora and quality of curated stock that is sourced and passionately sold from informed employees throughout the store.

Plan-B Studio has been working with the store for four years now. Commissioned originally to develop their web site, CRM marketing strategy and print/event comms. We are currently developing the next edition of their web site

Deliverables:
CMS powered website
CRM/e-marketing strategy design
Print/Event comms

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As part of Project10 I designed a poster highlighting a common indication of Autism. My aim; to print and sell the posters and donate the proceeds to charity.

I spoke to my good friend Paul at Generation Press, who kindly offered to donate their time and experience to producing 100 beautifully silkscreened prints on paper donated by GF Smith.

All the proceeds went towards helping a six year old boy with autism called Jack Armstrong, a neighbour of fellow designer Lucy Brown. It has also featured in the 100project.co.uk

500 x 700mm, white silkscreen on 175gsm GFSmith Colorplan (Bright Red). Thanks to GFSmith for donating the paper.

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To celebrate Plan-B Studio's tenth anniversary I decided not just to have a big party, but to donate time to doing something good, every month.

Project10 was originally an initiative to donate time to create ten projects in ten months, but has since become a good reason to donate time every day, week, month and year to other projects outside the commercial realm. In 2012 it was the start of an epic journey which lead to some inspiring collaborations with some incredible people, such as Generation Press, GFSmith Papers, Max Fraser, Matt Booth, Matthew Knight, Lucy Brown, Badger, Nicky Gibson and Garrick Webster, not to mention the contributors to our quarterly newspaper we produced to help keep abreast of all the great work.

Deliverables:
Quarterly Project10 newspaper
A poster for jack
Mor Mor identity
Annual report for LRCN Charity
Sundt window displays
Joy of Living web site with Max Fraser
The ACE Club
Memories canvas

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Joy of Living
London Design Guide writer, all-round design guru and bloody good guy Max Fraser approached me to work with him on this wonderful initiative and event for Maggies trust.

Max sent out a sheet of blue squared paper to over 100 designers. Their task, to do what they liked with it but so that it could be sold to raise money for the Maggies trust. I brought on board the supremely talented Matt Booth to utilise his skills and engine to make a very simple site that allowed Max to update the gallery on his site directly from his Flickr account.

The night raised in excess of £30,000

Deliverables:
Gallery web
CMS solution

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Friends of the Earth wanted to take their message and appeal to a younger, more youthful audience, and invited me to develop a new magazine.

I came up with the name 'friend,' with a comma as a punctuation mark to separate the name from the content but also to make the title feel like it was addressing you personally. Over the course of four years we produced sixteen issues. Some adopting the original format of A5, others came as 8 cards bound with a wrap, another an A2 folded poster. It made a huge difference and their circulation grew exponentially over the four years and encouraged a more diverse age group to become interested and participate with many of their other campaigns, including The Big Ask.

Deliverables:
Design art direction for a quarterly, 16page magazine

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Friend of the Earth is a charity aimed at creating a more beautiful world, a good life and a more positive relationship with the environment in general. It does this through various campaigns and events, some of which we were fortunate to work on with them.

Including The Big Ask; a campaign informing and encouraging the general public to lobby their MP's. Still their most successful campaign ever and we designed everything from the logo, to the manifesto, the banners, the t-shirts - you name it!

Also 'Friend,' a quarterly magazine aimed at a more youth orientated market. We designed and art directed sixteen issues, each one different.


Deliverables:
Campaign strategy, branding and marketing
Campaign logo
Campaign literature
Quarterly Magazine
Marketing literature
Brand development and evolution strategy

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I was enlisted to re-design the web site for Arising Artist. Their old site was a mish-mash of heavy colours, too much text an tired repetative layout and design.

I stepped in a stripped the whole site back. I minimised the use of colour, but made the colours much flatter and brighter.

I encourage more space and less text. Simple and easy navigation. Concise and clear copy that was easier on the eye. Creating a clear, but strict grid enables a much easier level of consistency and usability, along ith restricted colour palette and easier to read copy.

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DUMs 2007 direction was a beautiful abstract using a series of bold, brash colours, set against a dirty, black background decorated with a host of hybrid-animals.

The fanzine is a particular favourite of mine as it resembled much more of a real two colour print fanzine. As the festival grew in popularity and press so too did the subsequent pieces of promotional literature, the TV titles and award show animations.

Deliverables:
48pp fanzine
Posters
Press adverts
Online adverts
Web site graphics/design
TV title sequence
Award show TV interstitials
Stage set graphics/design
Oh, and a T-shirt (or 2000)

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Why understanding new technology is important?

Caveat
I asked for suggestions from friends on the twitters for topics to write an article about. Here’s the first one. Written at 38,000ft so if I go off-piste I blame the air pressure.

The Chinese don’t believe in looking back is the past. They look forward to look back. In the Western world we associate what has happened as being behind us, and what lies ahead is just that – ahead of us. In eastern philosophy they belive the opposite – that what has happened already you can see, so it lies infront of you. What will happen you cannot see and thus lies behind you.

The same philosophy can be applied to the pursuit of technological understanding; all too often we’re looking at its potential the wrong way.

I don’t understand technology, new or old. I never understood how a nano-thin piece of tape could play Thin Lizzy’s ‘The boys are back in town’. I don’t understand how a small plastic box on my bathroom window-sill with the aid of a few batteries, an aerial and a dial can play BBC Radio 4 to me in the morning. I don’t understand radio waves, Pi, or the theory of relativity. Aside from a rudementary understanding and aerodynamics I have no idea how a passenger plane carrying 450 people, their luggage, food and beverages manages to take off and fly 12,000miles without stopping. I don’t even know how ‘they’ make white paint. My son asked me recently how my smartphone worked and all I had was ‘It’s to do with satellites.’ It probably isn’t. I don’t understand new technology but I love playing with it and it’s unexpected nature is what makes it so alluring.

I don’t want to look back to go forward, I prefer to look back to consider what might be. To work with the skill and brains of those around me to harness technology.

To ‘understand new technology’ is an oxymoron; to be able to fully understand something that is new is impossible otherwise there would be no ‘new’ and we might as well all go in to a deep-freeze now.

I’ve sat in meetings with some incredibly smart people. The kind of smart that scares you in to silence, but even they trip-up and stumble over themselves sometimes. More often than not when presented with questions about what is possible. The beauty of our current technological evolution is that we simply do not know what is possible.

Steve Jobs didn’t know if the iPhone was possible but only after having observed behaviour around him did he attempt to take existing successful technology; the MP3 player, mobile telephone, organiser and camera and attempt to put it in to one device.

I’m sure Jobs and his teams struck up on many challenges and problems. Typically because whatever ‘it’ is was had never been attempted before. This is how it should be. Pioneering new technology, embracing and enhancing the world we live in with technology is what has and continues to fuel human endeavour. Putting man on the Moon, sailing the seven seas, building bridges, drilling in the middle of the ocean of fossil fuel, erecting skyscrapers, double-decked aeroplanes, solar-powered radios, apps that can help save lives or Googles Loon Project; giant weather balloons that circum-navigate the Earth’s atmosphere providing internet connections via satellite to those who have non. Looking forward (using existing technology) to help navigate what might be behind (infront of) us. The list is as inspiring as it is exhaustive.

When we created our publication, Can’t Understand New Technology, we did so out of frustration with the Government and it’s ability to turn the area with which we worked in in to a soundbite ‘Tech-City’ or the ironically coined phrase (now used by the media as a title of verbatim), ‘Silicon Roundabout’. Can’t Understand New Technology is about creating a more informed, insightful, unabashed opinion about what’s really going on, about what does and doesn’t work and why.

Whether it’s Silicon Valley in California or the square mile around Old Street one thing is for sure – when groups of gifted, intelligent, enthusiastic people (avoided the E word there) come together to play with technology greatness can happen.

Understanding new technology is not about the product or even trying to fully understand the essence of what ‘new’ is. Understanding new technology is having the confidence to try.


Filed under: Design

Those kinds of people who…

… contact you because they just ‘have to work with you’ and you entertain them and make some recommendations and suggestions whilst also asking them what their budget is. They come back and say they prefer not to say and instead you give them an estimation. You know you should just say no at this point but the project could be interesting.
You give them some ballpark costs and they come back and ask for more information and you reply because they didn’t run away at those ballpark costs and then two more emails later they tell you that those ballpark costs are three times what they had in mind anyway and could I do it for £50 and a packet of pork scratchings?


… disguise themselves in suits with plush office addresses. They tell you how much they love your work. Could I do some very preliminary work? Well, I don’t work for free but I will send you some information and recommend next steps for sure.
You go that little extra because you’ve got a head that just doesn’t shut the fuck up and you sketch a little and ideas bubble and you send it all off to them and wait… and wait… and politely send an email, the tone of which is all ‘Hey! Yeah! No worries, I know you’re busy… warm regards’ but what’s really meant is ‘I put good, honest (FREE) time in to that stuff I sent you, you got it for free and you don’t even have the decency to reply to say thank-you a week later?’. Did I mention it was for free? Those kinds of people. That’s been this week. #TFIFriday


Don’t get me wrong, I’m used to it, and this is aimed at a few amongst a plethora of great. But realise this: it is incredible frustrating, not to mention rude. We all have lives to pay for.


Filed under: Design

Back to work, Yahoo!

Much has already been written and commented on Marissa Meyers decision to order everyone back to working at the office (Guardian: Yahoo chief bans working from home). The fact the internal memo titled ‘PROPRIETARY AND CONFIDENTIAL INFORMATION – DO NOT FORWARD’ was leaked from its own HR department (and more employees besides) to news channels was hardly surprising.

I was contacted by a few people to comment given that I’ve been very vocal (albeit in tiny circles) about my distain for work environments and mentalities. My first reaction to this news story was ‘This calls for a blog post.’ Yeah! That’ll show ‘em. Another blog post from someone else with 2¢ worth to chip in to an already tired subject.

Since taking over as CEO and then announcing her preganancy I’ve been curious about Ms Meyers approach. As one of the most public CEO appointments of 2012 I was hoping she might use the opportunity of her preganancy as a firm stand to promote the need for better maternity leave, but instead she made a firm stance against it by taking just two weeks stating “I won’t be the working moms poster girl.” Fair enough, if I’d just taken over as CEO of a giant I might feel the burden of wanting to take the reigns quickly and firmly too.

Then last week came the message “to become the absolute best place to work, communication and collaboration will be important, so we need to be working side-by-side. That is why it is critical that we are all present in our offices.” Although I’ve yet to read anywehre the fine print – it doesn’t say 8 hours a day, 5 days a week, so perhaps there is still ‘flexi-time’. They’re not alone, Bank of America has done a similar thing in recent months.

Yahoo argued in the memo, “some of the best decisions and insights come from hallway and cafeteria discussions, meeting new people and impromptu team meetings.” Which as Prerna Gupta notes in her NY Times article (NY Times: Why Five Days in the Office Is Too Many), ‘That is certainly true. But it is also the case that some of the most creative insights come only when you give the human brain unstructured time to think.’ Prerna goes on to describe how her place of work simple requires everyone to spend a minimum of three days a week for five hours a day starting from noon in the office.

It is certainly true that having people in one place is an enabler for conversations, interactions, accidental collaborations and ideas to spawn. Studies have proven that people who work from home are more productive, but less innovative. “If you want innovation, then you need interaction,” says John Sullivan, a professor of management at San Francisco State University (source: NY Times, Yahoo Orders Home Workers Back to the Office). I can definitely relate to this on a personal level, but then the secret is not to work in your PJs in your bedroom for 12hours either. I also believe in common sense. Not everyone always uses it, but set the right parameters and often people will surprise you.

Most of us are perfectly capable human beings and treated as such should be given the respect, and the responsibility, to manage their own schedules and complete their work on their own time, from wherever they choose. The challenge is to balance productivity with innovation (from interaction), and also to learn to let go and allow that productivity to come from home.

It’s a bit like parenting. Be strict, or wrap them in cotton wool or let them run free – the nurturing will shape the attitude and the reactions. I’m somewhere in the middle. I say that as someone who has in the past four years reduced his own company like a chef making a fine meaty, wine jus reduction; I no longer have a studio, direct employees or even a desk. Instead a host of locations, a network of freelance people, two laptops and a wifi connection. So I accept that I am in a far simpler position to be agile and fleixble than a giant like Yahoo.

As a single parent the value I place on being flexible is priceless. Parenting my son means I lead with a firm hand but I am relaxed about most things because I treat my son like human being with respect and most of all Love and Support. Not a commodity or a trophy. I spend time with him, real time – not just ticking boxes but actually sitting and drawing with him, playing lego, writing, reading, playing football, swimming, you name it. I hope I give him enough responsibility and freedom in life so that he makes his own interpretations and understandings, and when he over-steps or does something wrong we talk about it, sometimes I change my tone so he knows I’m upset and ever so often I raise the volume. But the time we spend together, the time we invest in each other means we have a much richer relationship and a mutual respect for one another. I Use a similar approach to people I work with. Regardless of how big your firm is – people invest in people; so invest in your own, more often.

The irony is that Yahoo is a firm, who they themselves have created actual technology that makes it possible for us to communicate and work from any/everywhere and yet have taken steps to reign in their net back to the trawler. Ms Meyers stance on being a CEO and not a ‘working mom poster pin-up’ means she is also recalling working parents, single moms and dads who will have to now change their lives to return to what should be a dying post-industrialisation mentality of ‘bums-in-seats’ in office equals work.

There is a balancing act and there is no easy solution to this live/work balance. Companies like 37Signals, Semco (Brazil), Smule and Khush (and many others) who actively seek to find that balance with three or four day working weeks and flexi-time I commend you whole-heartedly. There is real value in those coffee maker, water cooler conversations, but equally in time for people to be able to think clearly and not on the ‘pretend’ lounge area disguised as ‘not working’ when clearly it really is.

Ultimately this decision by Yahoo is a bold and brave decision, hopefully not taken lightly and perhaps (for them at the moment) necessary. I suspect to better assess and cull any excess they might be carrying. It will make a great deal of their employees reconsider their jobs, and maybe even jump ship – plenty of competitors to likely snap them up. Overall I hope it works for Ms Meyer, but ultimately if the details do turn out to be more ‘bums in seats’ mentality (8hrs/5days a week) it saddens me and I wish them good luck retaining that talent for too much longer.

#SlipperySlope


Filed under: Love and Support

How do you… (part.1)

20130226-225328.jpg


How do you present a three week discovery phase for a new web site project to a record label/artist management client in the US whose passion in life is music and making great art?

You write. You sketch. You think. You write some more. You source a company (on ebay, in the US) who sell blank white 7″ sleeves.

You layout each sections content as an insert like the lyrics of the track. You give each section titles like album tracks, and timecodes based on how long it takes you to read it. You add little sleeve notes ‘Lyrics by…’ (just for fun).

You get four A2 posters of your inspiration and vision printed and folded. You personally make each of the ten sleeves like your own demo vinyl using Letraset.

You package it all up in a plastic cover and Fed-Ex it to them and hope they love it half as much as you did making it.

That ladies and Gentlemen is #LoveandSupport.

#WIP #Ramseur #Letraset #PlanBStudio

P.s you then also send them a PDF to share with their team.


Filed under: Design, Love and Support

Manners cost nothing

Imagine I come to your desk, or knock on the door of your house or call you with a question. What do you do? You answer don’t you? Whether it is a family member, friend, someone asking for charity donations or homeless person selling the Big Issue I always try to make eye contact and give them an answer. Why?

Because that’s being human. It might not be the answer they need or like, but it is at least an answer which means both parties can go on their way.

I’m growing increasingly tired of having emails from people asking me for work, placement or experience. It’s not the first email that frustrates me, it is the second one; the one they are replying to my email saying thank-you. Not because I’ve been able to enlist them but because I’ve bothered to even email them back at all. This happens EVERY time.

My inbox is similar to yours, and we’re all varying degrees of ‘busy’, but if you don’t make the time to acknowledge and reply to these people that’s your choice but remember. Remember what it was like. Ok, some of you might have been über talented and never had to go looking for work, lucky you.This isn’t just about looking for work, it is waiting for anything that you are pinning hopes on. Remember how it frustrating it feels not hearing the answer either-way? Remembered? Good, now start replying to these people, put them out of their misery one way or another, please.


Filed under: Design